The Philippine alcohol industry is running a coordinated campaign to recruit Gen Z consumers – using flavored products, influencer marketing, sexualized celebrity endorsements, and festival sponsorships that reach directly into schools. The strategy operates in one of Asia’s most permissive regulatory environments for alcohol marketing, and it follows a global industry pattern: as young people turn away from alcohol, producers invest more aggressively in the tactics they think are most likely to pull them back.
Gen Z is using less alcohol than any previous generation. Multiple studies show that young people globally use alcohol roughly 20% less than Millennials did at the same age, driven by health awareness, changing social norms, and the rise of alcohol-free alternatives. For an industry where 68% of revenue comes from people who use alcohol above health guidelines, this generational shift is not a trend – it is an existential threat.
The financial incentive to recruit young consumers is stated openly in investor reports. The marketing campaigns documented below are how that recruitment is executed. San Miguel Corporation has already been documented consolidating market power in ways that undermine alcohol policy. Now Emperador Inc., the world’s largest brandy producer, projected 20% brandy revenue growth for 2026, driven in part by new brands “gaining traction across both value-focused and younger consumers.” First Metro Securities has endorsed this strategy, forecasting 20% annual growth for the brandy segment.
Flavored Products as Entry Points
A well-established industry tactic for reaching younger consumers is the development of flavored products that mask the taste of alcohol – a pattern documented globally, from AB InBev’s Bridgerton-branded alcopops in Brazil to hard seltzers across North America. In the Philippines, this approach is now being adopted by the country’s dominant producer.
In December 2025, San Miguel Brewery Inc. (SMB) – which controls more than 95% of the Philippine beer market – launched San Miguel Mango Yuzu, a limited-edition Belgian-style wheat beer combining mango with Japanese yuzu citrus. SMB described it as “brewed for drinkers looking for new flavors and feels.” Asia Brewers Network noted that the product targets “consumers who want novelty but without high-bitterness or strongly sour styles” – a description that maps directly onto the preferences of younger, less experienced consumers. The beer is available through e-commerce platforms including Boozy, LazMart, and Pandamart – digital channels where age verification is functionally non-existent.
Influencer Marketing Disguised as Empowerment
The industry’s most visible Gen Z recruitment tool in the Philippines is the calendar girl tradition – a decades-old format now being retooled with younger celebrities who carry massive social media followings. The pattern fits a well-documented global strategy of targeting the young generation.
Tanduay, the world’s top-selling rum brand owned by the Lucio Tan Group, named 22-year-old actress Andrea Brillantes as its 2026 Calendar Girl. Brillantes – described by ABS-CBN as “the Gen Z Queen” – has over 21 million TikTok followers. The campaign features bikini imagery across six collectible variants, each displaying the tagline “Tanduay The World’s No. 1 Rum.” Philippine media reported that one variant, personally conceptualized by Brillantes, shows her body covered only by rose petals. At 22, she is among the youngest women to hold the title.
Ginebra San Miguel – the world’s largest-selling gin, also part of the San Miguel conglomerate – took a parallel approach, unveiling actress Sue Ramirez as its 2026 Calendar Girl under the branding “The Street Siren.” Her calendar’s six layouts – including “Nightlife Siren” and “Beach Siren” – continue a marketing strategy dating to 1988 that has featured actresses, beauty queens, and models.
What makes both campaigns strategically significant is not the imagery alone, but the framing. Both are presented in the language of empowerment – “confidence,” “authenticity,” “owning your power” – packaging the commercial use of young women’s bodies and followings as feminist self-expression. Research confirms that teens exposed to social media alcohol marketing are roughly twice as likely to report alcohol use or binge alcohol use. The empowerment framing is not incidental; it is the delivery mechanism that makes alcohol promotion shareable, aspirational, and resistant to criticism.
Embedding Brands in Communities and Schools
The recruitment strategy extends beyond advertising into civic life. Since 2019, Tanduay has co-sponsored the annual Bacolod Rum Festival in partnership with the city government of Bacolod. In its fifth year in 2025, the festival included street dance competitions, concerts featuring Tanduay brand ambassadors, and – most critically – “rum education” programmes conducted in seven schools across Negros province.
Extensive evidence demonstrates that industry-funded alcohol education programmes are ineffective at preventing alcohol harm and serve primarily to build brand familiarity and goodwill among young people. When an alcohol company enters classrooms under the banner of “education,” it is not teaching – it is marketing. The festival model wraps brand promotion in community identity and cultural celebration, with the intention of making it politically difficult to challenge.
A Regulatory Vacuum
All of this operates in a policy environment that provides minimal protection – one that other multinational alcohol companies have already exploited. In the Philippines, alcohol advertising is broadly permitted. The only meaningful requirement is a “Drink Responsibly” warning – a self-regulation requirement – which, as BusinessWorld has documented, is routinely rendered in tiny, unreadable text. Self-regulation falls to the Ad Standards Council – an industry body. There are no restrictions on celebrity endorsements, event sponsorships, or social media marketing. FDA Circular 2019-006 states that advertising materials must not be “appealing to children” – but a campaign fronted by the “Gen Z Queen” with 21 million TikTok followers apparently passes muster.
The stakes are real. Alcohol marketing directly affects the alcohol use behaviour of children and young people. A nationally representative study using the Global School-based Student Health Survey found that 23.2% of school-attending Filipino youth aged 13–16 use alcohol, with 20.7% reporting drunkenness. The same study found that alcohol marketing exposure was associated with nearly double the odds of high-risk alcohol use after controlling for demographic and psychosocial factors.
The World Health Organization classifies comprehensive alcohol marketing bans as a “best buy” policy intervention, supported by more than 21 global studies confirming the link between alcohol advertising and youth initiation of alcohol use. The WHO recommends limiting or banning all direct and indirect marketing, prohibiting sponsorships, promotion at events where children and adolescents are present, and controlling social media marketing – recommendations reinforced by its landmark report on cross-border alcohol marketing, which found that nearly half of countries have no regulation of internet or social media alcohol marketing. As Movendi International has argued, governments have a duty to treat predatory alcohol marketing as a child rights violation. The Philippines currently meets none of these recommendations.
A Coordinated Playbook
What is happening in the Philippines is a coordinated strategy with interlocking components: flavored products that lower the barrier to entry for new consumers; Gen Z influencers with massive social media followings who normalize those products among their peers; festival sponsorships that embed brands in community identity and cultural celebration; “education” programmes that place brands inside schools; and e-commerce distribution where age verification is a checkbox, not a barrier. Each element reinforces the others, and all exploit a regulatory environment that treats alcohol marketing as a matter of industry self-governance rather than public health. These are textbook examples of the Dubious Five strategies of promotion and manipulation.
Sources
- Entertainment City. “Bacolod and Tanduay Renews Partnership for 5th Rum Festival.” August 2025. https://entertainmentcityph.com/bacolod-and-tanduay-renews-partnership-for-5th-rum-festival/
- Inquirer. “Andrea Brillantes Embraces Daring Self as 2026 Calendar Girl.” November 2025. https://entertainment.inquirer.net/638449/andrea-brillantes-embraces-daring-self-as-2026-calendar-girl
- Inquirer. “The Siren Calls: Sue Ramirez Captivates as 2026 Ginebra San Miguel Calendar Girl.” November 2025. https://entertainment.inquirer.net/641448/the-siren-calls-sue-ramirez-captivates-as-2026-ginebra-san-miguel-calendar-girl
- PhilStar. “Emperador’s Year?” December 29, 2025. https://www.philstar.com/business/2025/12/29/2497300/emperadors-year
- Swahn, M.H., Palmier, J.B., Benegas-Segarra, A. & Sinson, F.A. “Alcohol Marketing and Drunkenness among Students in the Philippines: Findings from the Nationally Representative Global School-based Student Health Survey.” BMC Public Health, 13, 1159. December 2013. https://link.springer.com/article/10.1186/1471-2458-13-1159
- ThePhilBizNews. “SMB Unveils San Miguel Mango Yuzu in PH.” January 2026. https://thephilbiznews.com/2026/01/09/san-miguel-brewery-unveils-san-miguel-mango-yuzu-in-ph/

